The Age of the Child
“What makes the story compelling is how Tsetsi leads us through this world first through a mother, and then through her daughter so that we see how they struggle to live with themselves and each other within the confines of their world. When we are through, we are thinking hard. We’re tempted into a conversation that we’ve not had with spouses, friends, or acquaintances.” Elizabeth Marro, author of Casualties
“A masterstroke in the dystopian revival, The Age of the Child is visionary, relevant, and unnervingly plausible.” Brian Felsen, founder of BookBaby
“As I read The Age of the Child, I kept wondering whether author Kristen Tsetsi might have been channeling George Orwell on LSD. … Tsetsi tells an engaging and unsettling story that is no longer that improbable and that will keep you reading and wondering late into the night.” James C. Moore, author of Give Back the Light and co-author of the New York Times best seller Bush’s Brain: How Karl Rove Made George W. Bush Presidential
It’s the worst time in the nation’s history of reproductive legislation for Katherine, who doesn’t want a child, to learn she’s pregnant. The ratification of the pro-creation Citizen Amendment has not only criminalized the birth control that would have prevented Katherine’s accidental pregnancy, but abortion and most miscarriages are illegal, too. In this environment, not having a child will be a challenge.
Katherine isn’t afraid of a challenge.
29 years later…
It’s probably the worst possible time in the nation’s history of reproductive legislation for Millie – well, for someone like Millie – to decide rather suddenly that she wants to be pregnant. Since the recent implementation of parent licensing, getting pregnant requires government approval, and even attempting to cheat the system carries a sentence of imprisonment in a mysterious facility known as Exile. In this environment, a pregnancy for someone like Millie is all but impossible.
Millie doesn’t believe in “impossible.”
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(Paperback also available online wherever books are sold, e-format on Kindle.)
The Year of Dan Palace
“At turns funny, smart, painful, and honest as it follows one man’s choices in the face of the possibility that the world will end. This is a writer who doesn’t pull punches, who shows us sides of a character it might be easier to turn away from.” Reggie Lutz, author of Haunted
“From the opening pages to the unexpected ending, this book is amazing. This is not a book for a quick read despite the ever changing plot. It’s a book to savour and enjoy the beautiful clarity of the writing. I thought The Year of Dan Palace was stunningly good.” Indie Bookworm
Dan Palace has always played it safe. He chose the safe job. Married a safe woman. Rarely travels far from home. But something is missing – until a man named Tucker Farling delivers a doomsday prediction that changes his life.
In the final minutes before the New Year, Dan musters the courage he desperately needs to embark on a quest to find that missing “something,” along with the love of his ex-wife, who has hated him since their wedding night nine years before. When things don’t go as planned, Dan finds himself on an unexpected road trip with a young hotel worker and her possessive boyfriend. Together, they experience some of the surprising consequences of living life to its passionate fullest – as do the people they love.
Pretty Much True.
“There are few stories written from the point of view of a loved one back home waiting, and waiting some more, not knowing if or how the soldier will return home. Perhaps that’s because so few have found an interesting way to write such a story, but that has changed, thanks to Kristen Tsetsi. She doesn’t take sides on whether our previous president made the right decision with the lives of our men and women in the armed services; instead, she shows what it’s like to be paralyzed by fear, contrary to being strong for the country as an expected honorable sacrifice.” Carol Hoenig, Huffington Post
“Kristen Tsetsi is the rare sort of writer who can satisfy both emotionally and intellectually. All told, Pretty Much True is a moving novel whose emotional and intellectual complexity demands much of the reader but offers much more in return.” Small Press Reviews
“In a style reminiscent of Kurt Vonnegut’s surreal narratives, Pretty Much True is a story revelatory of a side of war that often is overlooked.” Journal Inquirer
The semi-autobiographical Pretty Much True, originally released as Homefront, begins in early 2003 when the US was still reeling from–and deciding how to respond to–the September 11 attacks.
Mia, a 26-year-old cab driver and failed adjunct English professor, is desperately in love with Jake, a 101st Airborne Division helicopter pilot who, like many, assumes the floating speculation of a war with Iraq is nothing more than an absurd rumor.
It isn’t a rumor. Before long, Jake deploys, and Mia nervously watches from her living room couch as the televised Shock & Awe missiles pummel Baghdad. With an eye or an ear constantly on the news for the latest updates from embedded reporters or insufferably sensationalist talking TV heads hungry for soldier tragedies (great for ratings!), Mia is overtaken by the numbing fear that she’ll never see Jake alive again. Or that if she does, he’ll be on her TV screen, flanked on both sides by men preparing to saw off his head.
Interrupting Mia’s constant, yet comforting worry–he’ll only die if she relaxes, if she takes for granted that he’ll be coming home–is the formation of new and unlikely friendships: with Safia, a war-protesting downstairs neighbor; and with Denise, the unfaithful wife of Jake’s frequent co-pilot and good friend, William. Against her better judgment, Mia also falls into a codependent relationship with a charming, acerbic, alcoholic Vietnam veteran named Donny Donaldson.
War, jealousy, mortality, marriage, rejection, idealized love versus real love, and one prison visit.
This collection of short and flash fiction features two original stories and eighteen that were previously published in print or online literary journals. Includes award-winning and Pushcart Prize-nominated fiction.
PRAISE FOR 20 SHORT STORIES
“What sets Jane apart from most writers is an ability to present raw, emotional moments in a way that allows you to personalize them. There are few books you will treasure and want to revisit the way you will with 20 Short Stories.” Joseph Dilworth Jr., Pop Culture Zoo
“One might go so far as to liken this collection to Dante’s Inferno, each character in a purgatory of sorts, placed there by the conviction of their own will alone. There isn’t a bad story in the bunch.” Cheryl Anne Gardner, author of Knowing Joe and The Kissing Room and head fiction editor at Apocrypha and Abstractions Literary Journal
Kindle Short Story Singles
“The Departure” ($0.99) imagines life for Benjamin and Elaine immediately following The Graduate‘s final scene.
Included in 20 Short Stories. Originally published in the literary magazine Denver Syntax.
Benjamin tugged the “stop” string after twenty blocks and looked at her. Past his head and through the window a dull blue motel sign advertised rooms at fifteen dollars.
“Just for now,” he said. “Why are you looking at me like that? It’s just a place to rest. … And to think. We should think, some, don’t you agree? A lot’s happened, and stopping here and resting, maybe getting some sleep, will clear us up.” He held his hand out to her. When she took it, she found that it was as dry as hers was damp.
“To My Daughter” ($0.99), also published in 20 Short Stories, is an uncertain mother’s private, silent message to her child. Originally published in the journal REAL: Regarding Arts and Letters, “To My Daughter” reveals the secret thoughts of a young woman struggling with new motherhood.
Women of your day will have the luxury of thinking about children. We, women of my generation, don’t put too much thought into it. We get married, get houses, get pregnant. A funny thing not to have an opinion about kids. You. I have no opinion of you.
Fiction, essays, and plays in other places
.The stories marked with a red asterisk are included in the short fiction collection 20 Short Stories
“Owning is Second to Knowing” at NPR’s “This I Believe”
Red Weather Magazine
“Me and My Lover”
“The Fittest” (Film adaptation directed by Martin Jonason and screened at the 2002 Fargo Film Festival)
Red Weather Magazine
“The Girl Next Door”
Red Weather Magazine
“This Is How I Tell You”
They Do Exist!: Anthology of Award-Winning Short Stories
“But for Gloria”
RE:AL, Summer/Fall Issue (also a Kindle Short)
*“To My Daughter”
Storyglossia Fiction Prize
*“They Three at Once Were One” (Fiction Prize winner)
“Married to Somebody”
The Midtown Literary Review
“In the Wheatfield”
“The Nature of Things”
*“Burn Everything but the Heart” (Voodoo flash fiction competition winner)
Denver Syntax (also a Kindle Short)
It’s not like we live in a novel with Fabio glistening on the cover. It’s not like he happened to crash-land on some farmstead owned by an old farmer and his beautiful, single, young daughter with long, blond hair and trim thighs and a lilting laugh that delights Dan to his core, the way the romance novels say it happens. It’s not like she has heaving breasts.
Right Hand Pointing
*“Becoming an Oates Girl”
He left, he later sighed, because she was too perfect. (She didn’t argue the impossibility of being too perfect.) He flipped her hair, said, “Thick and bouncy!” He spat in her eyes. “They sparkle, for Christs sake!” But also, she was too optimistic, too chipper about goddamn everything.
She tucks her hair behind her ears and looks around. There are seven tables in all, half of them being used. I only know Kevin. The rest I don’t talk to and they don’t talk to me. “You scared, in here?”
“No way. This is fascinating. I’ve never been to a prison before.” She leans across the table. “Is it like it is in the movies?” Her eyes are all big. She wants me to say yes.
*“An Agate in Cool River”
“Killing People Is an Art,” He Said
“The Start of Resentment”
“Things You Do for Love”
Huffington Post Celebrity
“Corey Haim’s Death and the Loss of Innocence“
The Fargo Forum
“Other Views: Human Body Should Not be Unmentionable”
High Plains Reader
“On the Road: Cassleton”
“On the Road: Downer”
“On the Road: Comstock”
“On the Road: Wolverton”
“Success is Relative”
“Tide Is In”
“Innocent ‘Kissing’ Book Offers Date Rape Tutorial”
“They’re Not Kidding: Childless and Loving Every Minute of It”
“Clearing the Air: a first-time visit to the Church of Scientology”
“Dehumanizing women in advertising”
“Write On: The ups and downs of self-publishing”
“Lifetime’s Desperation Could Kill Its Cash Cow, ‘Army Wives'”
(op-ed) “The Rape Trail: America doesn’t get it,” by Kristen J. Tsetsi, Stacey A. Silliman, and Laura F. Alix
“Breast Implants: A Complex Decision”
Theatre of the Invisible Guest
“Girl on a Swing,” One-Act
“Gun in the Corner,” One-Act
Short Film, Fargo Film Festival
“The Fittest,” Adaptation
Martin Jonason, Director
GUEST BLOG POSTS
“Right, Like a Man: The power of gender in an author’s name” at Read Her Like an Open Book
“My first time” at The Quivering Pen