5 On Moving to Jane Friedman’s Blog

Not too long ago, I started 5 On because I wanted to find a way to connect people who have a certain amount of experience with people who might learn or benefit from that experience, and I wanted to do it in an informal, entertaining way. I sent an interview invitation and an explanation of … Read more

5 On: Rick Shefchik

In this installment of 5 On, retired journalist Rick Shefchik, author of the novels Amen Corner, Green Monster, Frozen Tundra, and Rather See You Dead, talks about the everywriter fantasy of leaving a job to write novels, shares his mystery/thriller-writing technique, and discusses his choice of genres. He also explains why he crossed from traditional … Read more

5 On: Russell Rowland

In this 5On interview, author Russell Rowland  on publishing horror stories, what keeps him writing through “why bother?” moments, marketing, and more. _____ Russell Rowland is the author of In Open Spaces, The Watershed Years, and High and Inside, and and editor with Lynn Stegner of the anthology, West of 98: Living and Writing the … Read more

5 On: Timothy Gager

No matter how long someone has been writing and publishing (traditional or self), there’s always something to learn. And there’s usually, at one time or another, a desire to hear from someone who’s gone through, or is going through, something similar. I thought it would be fun to have a series of Q&As with writers … Read more

“The worst enemy to creativity is self doubt.” – Sylvia Plath

Today’s release of The Year of Dan Palace is, as suggested in the post title, much more than a confirmation of a finished task. [But first: To celebrate – because this book in particular earned the celebration (reason below) – the Kindle edition will sell for $0.99 today only (Nov. 22), until midnight. The paperback … Read more

Isn’t commercialism part of the art of being an artist?

In one of the Birdman scenes I could easily watch many times, intimidating New York Times theater critic Tabitha Dickinson (played by Lindsay Duncan) argues that there is a difference between being an actor (what Keaton’s character Riggan Thomson wants to be) and being a celebrity (what Dickinson insists Riggan actually is). By extension, I … Read more

kristen j. tsetsi